Medyanın Yumuşak Güç Kaynağı Olarak Film Endüstrisi ve Turizminin Çin’deki Gelişimi (The Development of the Film Industry and Tourism in China as a Soft Power Source of the Media)

Authors

  • Özlem ÇAKAR ÇELİK

DOI:

https://doi.org/10.21325/jotags.2021.922

Keywords:

Film industry, Film tourism, China

Abstract

The development of the film industry and tourism in China, which is known as the second-largest film market in the world, has been shaped by political, economic, cultural, etc. factors in the country. While the history of Chinese cinema is characterized by four periods, namely the beginning (1896-1930), the war period (1930-1949), the socialist cinema (1949-1978), and the contemporary cinema (1979 and later), Chinese film tourism has been discussed within three periods from 1896, when the first imported film show took place in Shanghai. Although there is no consensus on the start and the end dates of the periods in the literature, the common conclusion of the studies is that the actual existence of film tourism in China dates back to the beginning of the 2000s. However, the development of tourism in China is not in distant past. The development stages of this new type of tourism have interesting characteristics. This study aims to contribute to film tourism studies and to present examples of planning about film tourism because the prerequisite for the sustainable existence of film tourism is that it takes place within the right planning. The study is a literature review and includes analyzes about film tourism within the literature.

References

Aranburu, A. M. (2017). The film industry in China: Past and present. Journal of Evolitonary Studies in Business (JESB), 1(2), 1-28.

Atalay, İ. (2001). Kıtalar ve ülkeler coğrafyası. Meta Basımevi.

Aydemir, E. (2019). Çin’in küresel bir yumuşak güç hareketi: CGTN’nin incelenmesi. Avrasya Uluslararası Araştırmalar Dergisi, 7(19): 260-275.

Beeton, S. (2005). Film-induced tourism. Channel View Publications. Clevedon, Buffalo.

Çakı, C., Çakı, G., Aksoğan, M., & Gülada, M. O. (2019). Çin Milliyetçi Partisi tarafından Japon işgaline karşı yürütülen ulusal seferberlik propagandası. Trakya Üniversitesi İktisadi ve İdari Bilimler Fakültesi Dergisi, 8(1), 43-64.

Demirtepe, M. T., & Özertem H. S. (2013). Yükselen tehdit algısı karşısında Çin'in yumuşak güç siyaseti: Politikalar ve sınırlılıkları. Bilig/ Türk Dünyası Sosyal Bilimler Dergisi. 65, 95-118.

Deniz, T. (2014). Yükselen güç Çin Halk Cumhuriyeti’nin stratejik hamleleri. Elektronik Sosyal Bilimler Dergisi, 13(50): 188-212.

Esen, B. (2020). Yumuşak güç örneği: Çin. V. Öngel, M. Süslü & G. Öngel (Ed.), In Sosyal Bilimler Perspektifinden Güç,3, pp.157-182). Gazi Kitabevi.

Hao, X., & Ryan, C. (2013). Interpretation, film language and tourist destinations: A case study of Hibiscus Town, China. Annals of Tourism Research, (42), 334–358.

Huang, G. (2013). Mediating tourist landscape: A case study of media-induced tourism in China. International Journal of Communication, 7, 2678–2696.

Ji, Y., & Beeton, S. (2011). Is film tourism all the same? Exploring Zhang Yimou’s films’ potential influence on tourism in China. Tourism Review International, 15, 293-296.

Kafkasyalı, M. S. (2012). Küresel üstünlük mücadelesi ve Çin’in yükselişi: Muhayyilenin ontolojik sınırları. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 16(1): 103-128.

Marafa, L. M., Chan, C. S., & Li, K. (2020). Market potential and obstacles for film-induced tourism development in Yunnan Province in China, Journal of China Tourism Research.

Medin, B., & Koyuncu, S. (2017). Bir yumuşak güç aracı olarak sinema: Hollywood örneği. International Journal of Social Sciences and Education Research 3(3), 836-844.

Meng, Y., & Tung, V. W. S. (2016). Travel motivations of domestic film tourists to the Hengdian World Studios: Serendipity, Traverse, and Mimicry, Journal of China Tourism Research, 12. (3-4), 434-450. http://doi.org:/ 10.1080/19388160.2016.1266068

Nye, J. S. (1990). Soft Power. Foreign Policy, 80, 153-171.

Oğuş, N. (2021). Soğuk savaş sonrası Çin-Hindistan ilişkileri. Urzeni Yayınevi

Özey, R. (2003). Dünya ve ülkeler coğrafyası. Aktif Yayınevi.

Özey, R. (2013). Ülkeler coğrafyası. Aktif Yayınevi.

Özgüç, N. (2017). Turizm coğrafyası. Çantay Kitabevi

Shambaugh, D. (July/August 2015). China's soft-power push: The search for respect. Foreign Affairs, 4, 99-107.

Su, X. (2016). Reconstruction of tradition: Modernity, tourism and Shaolin Martial Arts in the Shaolin Scenic Area, China, The International Journal of the History of Sport, (33)9, 934-950.

Timor, A. N., & Kapan, K. (2017). Çin’de turizm ve rekreasyon faaliyetleri. [Oral presentation]. Futourism, 255-261. Mersin, Turkey.

Wang Z., Yang P., & Li D. (2021).The influence of heritage tourism destination reputation on tourist consumption behavior: A case study of world cultural heritage Shaolin Temple. SAGE Open. July 2021, 1-15. http://doi.org:/ 10.1177/21582440211030275

Wei, L., & Li, Y.(2019). Chinese film industry under the lens of copyright, policy, and market. In L. Kung-Chung., R, Uday. S.(Ed.), Innovation, economic development, and ıntellectual property in India and China comparing six economic sectors. Springer Open.

Weiying, P. (2015). China, film coproduction and soft power competition (Doctoral Dissertation). Creative Industries Faculty Queensland University of Technology.

Wen, H., Bharath M. J., Spears, D L., & Yang, Y. (2018). Influence of movies and television on Chinese tourists perception toward international tourism destinations. Tourism Management Perspectives, 28. 211–219.

Wu, J. (2011). Analysis and strategic suggestions for China’s film and TV tourism. In G. Zhang, R. Song, & D. Liu (Eds.). Green book of China’s tourism (185-198). Heide, China: China Outbound Tourism Research Institute.

Yan, M., & Wall, G. (2002). Economic perspectives on tourism in China. Tourism and Hospitality Research, 3, 257-275. https://www.jstor.org/stable/23747292/ 27.07.2021-15:30

Zhang X., & Li, Y. (2018). Concentration or deconcentration? Exploring the changing geographies of film production and consumption in China. Geoforum, 88, 118-128.

Zhang, X. (Nancy)., & Ryan, C. (2018a). Grand View Garden and a history of Chinese film tourism. In S, Kim Reijnders. (Eds.), Film tourism in Asia, perspectives on Asian tourism. Springer Nature.

Zhang X., & Ryan, C. (2018b). Investigating tourists’ and local residents’ perceptions of a Chinese film site. Tourist Studies. 18(3), 275–291.

Zhang, X,. Li Y,. & Yuan, Y. (2018). Behind the scenes: The evolving urban networks of film production in China, Urban Geography, 39 (10). 1510-1527.

Zhang, X. (2015). Chinese culture, tourism and a television series: Grand View Gardens, Beijing (Doctoral Dissertation). The University of Waikato.

Zhu, Y. (2015, spring/summer). The Sino-Hollywood relationship then and now. Weber The Contemporary West, 31, (2), 26-36.

Wuxi (2021). Retrieved from: http://www.wuxinews.com.cn/2015-01/22/content_19380026.htm. August 8, 2021

Hengdian World Studios (2021). Retrieved from: http://www.hengdianworld.com/en/About/ Retrieved August 8, 2021

China Film Yearbook Press, 2020.

http://www.stats.gov.cn/tjsj/ndsj/2020/indexeh.htm/ Retrieved August 25, 2021

Türkiye Wushu Kung Fu Federasyonu (2021). Alındığı uzantı: https://www.twf.gov.tr/wushu-tarihce/ Retrieved September 6, 2021

UNWTO Tourism Highlights (2021). 2017 Edition/ Retrieved September 8, 2021

Published

02/27/2023

How to Cite

ÇAKAR ÇELİK, Özlem. (2023). Medyanın Yumuşak Güç Kaynağı Olarak Film Endüstrisi ve Turizminin Çin’deki Gelişimi (The Development of the Film Industry and Tourism in China as a Soft Power Source of the Media). Journal of Tourism & Gastronomy Studies, 9(4), 2837–2853. https://doi.org/10.21325/jotags.2021.922