Beyond the Lens: A Barthesian Perspective on the Meaning of Travel Photography
DOI:
https://doi.org/10.21325/jotags.2025.1638Keywords:
Visual analysis, Photography analysis, Travel photography, Tourist photography, SemioticsAbstract
Since the introduction of the camera, photography and tourism have had a major link. Tourism companies and regional administrators frequently emphasize the use of images in presenting idealized experiences. The stories that these photographs tell have been studied by academics, but less is known about the individual viewpoints that travelers express through their own photos. Investigating whether travel photos by visitors contribute to national and international narratives is the goal of this study. 17 trip photos were chosen from the Travel Photographer of the Year 2024 (TPOTY) collection and analyzed using the semiotic technique of R. Barthes. The results show that these pictures effectively convey cultural elements, customs, legacy, and genuineness while simultaneously emphasizing the consequences of modernity and globalization. Travelers express changes in society and convey complex identities and perspectives through their photographs. The changing expectations and sensitivities in society are depicted in this visual narrative. Consequently, there is a dynamic interaction between tourism and imagery.
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