Brand Museum Networking in Between Criticism and Affirmation: Analytical and Critical Review for Cultural Destination Developers
DOI:
https://doi.org/10.21325/jotags.2024.1535Keywords:
Cultural destinations, Brand museums, Museum franchises, Museum networking, The Louvre, The GuggenheimAbstract
This paper explores the concept of brand museum networking, examining how franchised museums such as the Guggenheim Bilbao and Louvre Abu Dhabi influence global cultural landscapes. Through a balanced analysis of the economic, social, and cultural impacts of museum networking, the study highlights both the affirmations and criticisms of this model. Critics raise concerns over cultural homogenization, commercialization, and the loss of authenticity, while proponents emphasize increased accessibility, economic revitalization, and the role of museums in cultural diplomacy. Key trends shaping the future of museum franchising include digital expansion, the adoption of sustainable practices, and the need for inclusive and participatory models that engage local communities. This study also identifies several avenues for future research, including the impact of franchising on local cultural identity, the long-term economic effects on host cities, and the use of digital technologies in extending museum experiences. Ultimately, the paper provides insights for cultural destination developers on how to navigate the opportunities and challenges presented by museum franchising in a globalized world.
References
Abiodun, O., & Abiodun, F. (2024). The role of cultural heritage museums in community development. ResearchGate. https://doi.org/10.13140/RG.2.2.15495.20640
Ajana, B. (2015). Branding, legitimation, and the power of museums: The case of the Louvre Abu Dhabi. Museum and Society, 13(3), 322–341. https://doi.org/10.29311/mas.v13i3.333
Anheier, H. K., & Isar, Y. R. (Eds.). (2012). Cities, Cultural Policy and Governance (Vols. 1–5). SAGE Publications. https://doi.org/10.4135/9781446254523
Ampuero-Canellas, O., Tarazona-Belenguer, N., Gonzalez-del-Rio Cogorno, J., & Jordá-Albiñana, B. (2018). Merchandising in museums: Education, culture, or pure business? EME Experimental Illustration, Art and Design, 6, 92. https://doi.org/10.4995/eme.2018.9033
Baudelle, G., & Krauss, G. (2014). The governance model of two French national museums of fine arts relocated in the province: Centre Pompidou Metz and Louvre-Lens. Belgian Journal of Geography, 1. https://doi.org/10.4000/belgeo.12765
Belting, H. (2003). Art history after modernism. University of Chicago Press.
Bertoli, G., Busacca, B., Ostillio, M. C., & Di Vito, S. (2016). Corporate museums and brand authenticity: Explorative research of the Gucci Museo. Journal of Global Fashion Marketing, 7(3), 181–195. https://doi.org/10.1080/20932685.2016.1166716
Booth, A., Sutton, A., & Papaioannou, D. (2016). Systematic Approaches to A Successful Literature Review. SAGE Publications.
Carrier, D. (2006). Museum Skepticism: A History of The Display of Art in Public Galleries. Duke University Press.
Chong, D. (2000). Institutional identities and national museums in the United Kingdom. The Journal of Arts Management, Law, and Society, 29(4), 271–289. https://doi.org/10.1080/10632920009597306
Cooper, H. (1988). Organizing knowledge syntheses: A taxonomy of literature reviews. Knowledge in Society, 1(1), 104–126. https://doi.org/10.1007/BF03177550
DesRoches, D. (2015). The marketized museum: New museology in a corporatized world. The Political Economy of Communication, 3(1), 2–24.
Díaz-Kommonen, L., Svinhufvud, L., Thiel, S., & Vishwanath, G. (2024). Enriching museum collections with virtual design objects and community narratives: Pop-up-VR museum. Collections, 20(1), 77–95. https://doi.org/10.1177/15501906241233817
Figueruelo, A. L. (2022). Cultural franchises or franchising cultures? The case of the Hermitage Barcelona. Museum International, 74(1–2), 120–133. https://doi.org/10.1080/13500775.2022.2157570
Furferi, R., Di Angelo, L., Bertini, M., Mazzanti, P., De Vecchis, K., & Biffi, M. (2024). Enhancing traditional museum fruition: Current state and emerging tendencies. Heritage Science, 12, 20. https://doi.org/10.1186/s40494-024-01139-y
Gobbato, V. (2024). Sustainable development and museum professions: A preliminary study in emerging trends and transformations. Midas. http://dx.doi.org/10.4000/121su
Giannini, T., & Bowen, J. P. (2023). Global cultural conflict and digital identity: Transforming museums. Heritage, 6(2), 1986–2005. https://doi.org/10.3390/heritage6020107
Grant, M. J., & Booth, A. (2009). A typology of reviews: An analysis of 14 review types and associated methodologies. Health Information and Libraries Journal, 26(2), 91–108. https://doi.org/10.1111/j.1471-1842.2009.00848.x
Grazuleviciute-Vileniske, I., & Urbonas, V. (2011). Architectural heritage as a socioeconomic opportunity for revitalization of historic urban centers: A global perspective. Architecture and Urban Planning, 5, 27–37.
Greenberg, M. (2009). Branding New York: How a city in crisis was sold to the world. Routledge.
Greffe, X., Krebs, A., & Pflieger, S. (2017). The future of the museum in the twenty-first century: Recent clues from France. Museum Management and Curatorship, 32(4), 319–334. https://doi.org/10.1080/09647775.2017.1313126
Grincheva, N. (2019). Global Trends in Museum Diplomacy: Post-Guggenheim Developments. Routledge. https://doi.org/10.4324/9781351190275
Grincheva, N. (2020). Glocal diplomacy of Louvre Abu Dhabi: Museum diplomacy on the crossroads of local, national, and global ambitions. Museum Management and Curatorship, 35(1), 89–105.
Grincheva, N. (2021). Museum diplomacy in the digital age. Routledge.
Hart, C. (1998). Doing a literature review: Releasing the social science research imagination. SAGE Publications.
H`Art Museum. (2024). Organization. Retrieved December 10, 2024, from https://www.hartmuseum.nl/en/organization/
Hennebury, D. L. C. (2014). An Investigation of The Architectural, Urban, and Exhibit Designs of The Tate Museums (Doctoral dissertation). University of Michigan. https://deepblue.lib.umich.edu/bitstream/handle/2027.42/107241/deirdre_1.pdf
Hewison, R. (2015). Culture and consensus (Routledge Revivals): England, art, and politics since 1940. Routledge. https://doi.org/10.4324/9781315718231
Isar, Y. R., & Triandafyllidou, A. (2021). Introduction to this special issue: Cultural diplomacy: What role for cities and civil society actors? International Journal of Politics, Culture, and Society, 34, 393–402.
Macdonald, S. (2011). A companion to museum studies. Wiley-Blackwell.
Macdonald, S. J. (2012). Museums, national, postnational, and transcultural identities. In Museum studies: An anthology of contexts (pp. 273–286).
Mantzou, P., Bitsikas, X., & Floros, A. (2023). Enriching cultural heritage through the integration of art and digital technologies. Social Sciences, 12, 594. https://doi.org/10.3390/socsci12110594
Marini, C., Agostino, D., & Simoni, L. (2022). Co-creating history: The case of WORTHY as a virtual collaborative museum. Journal of Museum Education, 47, 385–394. https://doi.org/10.1080/10598650.2022.2076777
Marstine, J. (Ed.). (2011). The Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First Century Museum. Routledge. https://doi.org/10.4324/9780203815465
Massari, F. S., Del Vecchio, P., & Degl’Innocenti, E. (2024). Past for future: Museums as a digitalized “interaction platform” for value co-creation in tourism destinations. European Journal of Innovation Management, 27(5), 1453–1474. https://doi.org/10.1108/EJIM-09-2022-0521
McClellan, A. (2008). The art museum from Boullée to Bilbao. University of California Press.
McNeill, D. (2000). McGuggenisation? National identity and globalization in the Basque country. Political Geography, 19(4), 473–494. https://doi.org/10.1016/S0962-6298(99)00088-6
Meskell, L. (2018). A Future in Ruins: UNESCO, world heritage, and the dream of peace. Oxford University Press.
Miles, M. (1997). Art, Space and The City: Public Art and Urban Futures. Routledge.
Nissley, N., & Casey, A. (2003). The politics of the exhibition: Viewing corporate museums through the paradigmatic lens of organizational memory. British Journal of Management, 13. https://doi.org/10.1111/1467-8551.13.s2.4
Nye, J. S. (2004). Soft Power: The Means to Success in World Politics. Public Affairs.
Ortega, M. (2020). Cultural investments and economic growth in museum franchising. Journal of Economic Development and Culture, 7(2), 61–80.
Plaza, B. (2006). The Guggenheim-Bilbao museum effect: A cultural and economic analysis. International Journal of Urban and Regional Research, 30(2), 452–467.
Priewe, S. (2021). Museum diplomacy: Parsing the global engagement of museums. CPD Perspectives on Public Diplomacy. Retrieved from https://uscpublicdiplomacy.org/sites/default/files/Museum%20Diplomacy_4.28.24.pdf
Pulh, M., Mencarelli, R., & Chaney, D. (2019). The consequences of the heritage experience in brand museums on the consumer–brand relationship. European Journal of Marketing, 53(10), 2193–2212.
Sappa, C. (2022). Museums As Education Facilitators: How Copyright Affects Access and Dissemination of Cultural Heritage. In The subjects of literary and artistic copyright. Cheltenham, UK: Edward Elgar Publishing. https://doi.org/10.4337/9781800881761.00022
Sassen, S. (2001). The Global City: New York, London, Tokyo. Princeton University Press.
Slak Valek, N. (2022). Art tourism: Definitions, opportunities, and discussions based on a case study from Abu Dhabi. Journal of Tourism and Cultural Change, 20(1–2), 100–114. https://doi.org/10.1080/14766825.2021.1962892
Torraco, R. J. (2016). Writing integrative literature reviews: Using the past and present to explore the future. Human Resource Development Review, 15(4), 404–428. https://doi.org/10.1177/1534484316671606
Vlachou, E., & Demestiha, S. (2006). The museums network model of the Piraeus Bank Group Cultural Foundation. Research Papers in Economics. Retrieved from https://ideas.repec.org/p/wiw/wiwrsa/ersa06p941.html
Webster, J., & Watson, R. T. (2002). Analyzing the past to prepare for the future: Writing a literature review. MIS Quarterly, 26(2), xiii–xxiii.
Whitehead, C. (2005). The Public Art Museum in Nineteenth-Century Britain: The development of the National Gallery. Ashgate Publishing.
Zolberg, V. (1995). What price success? Museum International, 47(2), 60–63. https://doi.org/10.1111/j.1468-0033.1995.tb01243.x
Zukin, S. (1996). The Cultures of Cities. Blackwell Publishers.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Journal of Tourism & Gastronomy Studies
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.